![abbey road plugins aax abbey road plugins aax](https://www-vintageking.com.imgeng.in/media/catalog/product/cache/c8660c81d7196df55c33284290821786/w/a/waves_redd.jpg)
Looking at the individual patches within this library, we’ve got the longs that are based on just the oboes and clarinets, which you can use for that kind of gentle, soft, and very pure sound, but it can also get quite solid and quite punchy, and if we look at the corresponding long, which we’ve called VIBRANT LONG, which is the version with the cor anglais in the mix, you hear that extra colour come in - a fabulous, rich sound.
![abbey road plugins aax abbey road plugins aax](https://img.wavescdn.com/1lib/images/blog/banners/abbey-road-studio-3-vs-standard-headphone-mixing/1.jpg)
This is a sound that’s incredibly familiar - something that you find very commonly in Hollywood film scores, so it’s something that’s very useful - the second most used orchestral blend in the woodwinds, after the traditional flutes with a piccolo an octave up. Thanks to its rich tonality and famed reverb, Studio One’s sound is widescreen and epic - truly the iconic sound of cinema.Ĭontinues Paul Thomson: “The first legato gives you a relatively solid sound - quite a pure, clean sound, yet you’ve still got that fantastic dynamic range with that added kind of spiciness and piquancy when adding in the cor anglais to the mix. Musical matches made in heaven, classics such as Star Wars, Lord of the Rings, Harry Potter, and Avengers: Endgame were all recorded in Studio One. Of course, Studio One is considered to be one of the finest acoustical spaces in the world, with its history having an indelible connection with the scores recorded there, embedding emotion, mood, and magic into many of the most renowned films ever made. Saying that, realism abounds as any ABBEY ROAD ONE: VIBRANT REEDS user effectively enters the room that most composers can only dream of - namely, Abbey Road Studios’ Studio One. As a commonly heard orchestral blend of woodwinds, ABBEY ROAD ONE: VIBRANT REEDS includes an array of techniques, including legato, long, staccatos, as well as major and minor mordents, to allow for focusing on writing expressive themes and melodies while quickly creating an instantly recognisable, high-quality cinematic sound.
ABBEY ROAD PLUGINS AAX SERIES
the Extra-Terrestrial (1982), fellow American composer and conductor Jerry Goldsmith’s Total Recall (1990), and throughout the Harry Potter film series (2001-2011). With its latest ABBEY ROAD ONE: VIBRANT REEDS release, Spitfire Audio beautifully captures expressive performances of two oboes and two clarinets as a pure and pristine sound orchestrated in the traditional octave spacing, along with an additional pairing of two oboes with cor anglais for a truly evocative sound heard in Hollywood film scores such as American composer, conductor, pianist, and trombonist John Williams’ E.T. As ever, they focus on doing specific things incredibly well.” “This one focuses on oboes and clarinets in octaves, and then there’s also a few patches with a cor anglais included as well for an extra kind of vibrancy. Thanks to its carefully chosen selection of essential and unique techniques, such as shining longs, playful staccatos, intriguing mordents, and Spitfire Audio’s newly- developed, easy-to-use legatos patches providing everything needed to create scores ready for the big screen, who better, then, to formally introduce ABBEY ROAD ONE: VIBRANT REEDS in all its cinematic-sounding musical glory than the sound-specialising British music technology company’s co-founder Paul Thomson, himself no stranger to the wonderful world of film scoring as an English composer for film, television, and video games - and also music technologist to boot.
ABBEY ROAD PLUGINS AAX SOFTWARE
LONDON, UK: having successfully cemented a creative partnership with world-famous Abbey Road Studios late last year as ABBEY ROAD ONE: ORCHESTRAL FOUNDATIONS inaugurated its ABBEY ROAD ONE: FILM SCORING SELECTIONS series showcasing the foundational film scoring sound of Studio One by carefully capturing a 90-piece symphonic orchestra inside the world’s largest purpose-built recording studio, Spitfire Audio is proud to announce availability of ABBEY ROAD ONE: VIBRANT REEDS - representing the latest addition to its ever-expanding orchestral range of subsequently-released smaller standalone sample libraries carefully captured in that same studio namesake, also adept as additions to ABBEY ROAD ONE: ORCHESTRAL FOUNDATIONS itself, this time offering a dazzling ensemble of oboes and clarinets, performed in octaves, alongside an evocative pairing of oboes and cor anglais as classic cinematic pairings heard on countless scores, perfectly presented as pre-orchestrated patches for immediate creative control and stunning realism housed in Spitfire Audio’s award-winning AU-, AAX-, NKS-, VST2-, and VST-compatible plug-in that loads into all major DAWs (Digital Audio Workstations) without the need for any additional software - as of October 14…